![]() The best part is that when you bring your XML back into FCPX, all your synced clips will be titled according to how you originally named them before using Sync-N-Link X. Sync-N-Link X assigns audio Subroles to second-system audio tracks and camera audio, giving the user dynamic control over audio playback during editorial. Sync-N-Link X allows you to import an event XML and will automatically sync your second source audio through timecode to your video. Any unused video and audio clips are marked with a "Not Synced" keyword. Sync-N-Link X adds a "Synced" keyword for the video range (essentially trimming the clip to the video duration). Synchronized clips can contain more than one audio clip (for cases where audio recording was stop/started during a take). Sync-N-Link X uses content created dates to find video and audio that were recorded on the same day for syncing.Ĭhoose whether the synchronized clips are named after the video or audio clips (or both) - the original video and audio clip names are available inside the synchronized clips. It looks for audio whose Timecode matches a video clip’s Timecode (although the matching video and audio clips don’t have to start at the same time, have the same duration, or even have the same frame rate). ![]() Sync-N-Link X uses content created dates to find video and audio that were recorded on the same day for syncing. Sync-N-Link X uses video and audio jam-synced to an external free-run Timecode generator. Sync-N-Link X looks for audio whose free-run Timecode matches a video clip’s Timecode (although a matching video and audio clip don’t have to start at the same time, have the same duration, or even have the same frame rate). With Sync-N-Link X you can batch process one (or more) days of dailies/rushes in less than 15 minutes, instead of taking hours to manually synchronize each clip. Get your dailies ready in minutes instead of hours Sync-N-Link X will get you home earlier by speeding the process from hours to minutes:
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